CHRISTINE'S BLOG
Welcome! I love to write, and I love sharing what I write with my readers. I vary my style as much as I can-posting events, creative non-fiction, prose and poetry and the occasional video. Enjoy!
Miigwetch
Christine
Thursday, August 30, 2012
Tuesday, August 21, 2012
Help Save the Aboriginal Arts Training and Mentorship Program
An Open Appeal from Renowned Author Lee Maracle:
There is a program in Winnipeg, Manitoba called the
Aboriginal Arts Training and Mentorship Program (AAMTP) that serves the most
underprivileged demographic in Winnipeg-Aboriginal children. I have witnessed
AAMTP’s work with these children. Under the direction of Columpa Bobb, Artistic
Director, they alongside veteran writers developed the play for the Truth and
Reconciliation Commission Launch in Winnipeg, Manitoba. (for a clip from the
Moving Gallery follow this link: http://www.cbc.ca/manitoba/scene/other/2012/05/31/columpa-c-bobb/.)
At AATMP these young children acquire writing skills,
performance arts skills, video and film making skills and are transformed from
being underprivileged victims into children and youth who are confident and
powerful good citizens. Unlike many programs for children, this one is free.
The children of the North End in Winnipeg cannot afford tuition or even bus
fares. Cultural Connection for Aboriginal Youth funds about half the cost of
the program. These funds connected to Cultural Connection for Aboriginal Youth
are in jeopardy. This means Aboriginal Arts Training and Mentorship is at risk
of closing its doors, unless we can raise enough bridge funding. Manitoba
Theatre for Young People cannot bridge the gap while the funds are up in the
air. For CBC interview with Columpa Bobb regarding the freeze, follow this
link: http://www.cbc.ca/player/Radio/Local+Shows/Manitoba/Information+Radio+-+MB/ID/2255434978/?sort=MostRecent)
Desperate for their program two of the children tried to
help save it: “There was a beautiful little moment when two young girls from a
grade 5 and 6 class held a little bake sale and raised $130.00 to try and save
their program.” (Columpa Bobb, Artistic Director, AATMP) If our kids can do
that, surely we can do something too.
I know some people. Some of you are close friends, some are
family, some are colleagues, some I barely know, some have money, most don’t,
but all of you have heart and so I am asking each of you to send $25.00 to
Aboriginal Arts Training and Mentorship Program and send this appeal to two
friends to keep the doors to the program open in the fall. I want my
readership, those who have told me “they feel so inspired, empowered by my work”,
to contribute as well. Our children need the empowerment and inspiration of
Aboriginal Arts Training and Mentoring Program. Please send a note of
well-wishing for our children to Columpa C. Bobb, Artistic Director, and send
your cheque or money order to:
Aboriginal Arts Training and Mentorship Program
195 Young Street
Winnipeg, Manitoba
R3C 3S8
Lee Maracle
Thursday, August 16, 2012
Music Review- Interwoven Roots
(Shy-Anne Hovorka- Photo By: Christine McFarlane) |
Bio of Shy-Anne Hovorka
Shy-Anne is an award-winning songwriter, multi-instrumentalist and performer from Northwestern Ontario who began singing at the age of three and has been performing on stage since, she was nine years old. Shy-Anne is a natural born performer whose talents shine in multiple genres.
Interwoven Roots is her third album and was released on June 25th 2012, in conjunction with the debut video release for one of the albums single releases, called "The Glue".
Review By: Christine McFarlane
Shy-Anne's 3rd album "Interwoven Roots" is an amazing blend of country and pop music rolled into one. The 13 track album features many artists besides Horvoka which includes Grammy Award winning Native Flutist Bill Miller, hip hop artist, Coleman Hell and up and coming youth singer Christine Arnold.
Interwoven Roots starts with an almost slow melodic tune "Birch, Cedar, Spruce" which speaks about the three specific trees- birch, cedar and spruce that Horvoka witnessed growing from one root. The lyrics
"We may be all different, but we're all the same
Every seed sown from a common grain"
speaks to the interconnectedness that Aboriginal peoples are taught to believe in, and reminds the listener of the importance of leaning on each other and how we're never really alone, because our spirits stay together forever.
Another song that spoke to me was "The Glue" which is another song that shows testament to the strength and love we can experience as individuals and together. I particularly like the lyrics and how Horvoka sings
"Another day on this crazy road, sometimes i guess we both don't know
where this little love is going
sometimes it isn't showing
anything at all
love can be like learning how to dance
you take two steps forward
and I'll take two back
and then we stumble on each other
and maybe even smother
this gracefulness"
Further along in the song, the listener is grabbed by the imagery of a canoe that Horvoka sings about and how it is the journey within the canoe, the love, the hard times and the tears we experience in love that help make us stronger and it is how
"we do what we love and it becomes the glue"
Though Shy-Anne Hovorka has been singing for years, I have only known about her and her music in the last couple of years, and the first time I heard her sing live was when she sang at the AFN AGA Welcome Concert at the Harbourfront Centre on the WestJet Stage on July 18, 2012.
All the songs on "Interwoven Roots" have a bit of something for everyone- for the young to the old and catchy songs like "The Glue" "Super Star" and "Summer Fling" will have you singing too.
Shy-Anne Horvoka is up for 6 Awards with the Aboriginal People's Choice Awards. Please vote for her for the following:
Entertainer of the Year
Best Produced (produced by Shy-Anne Horvoka and Jerry Vandiver and a couple of songs by Rob Bie)
Single of the Year (The Glue)
Best Country Album
Best Music Video (Too Young, Too Late: featuring Christine Arnold)
Best Album Design (artwork by Silver Suggashie and Liane Ross-Buckler)
Follow the below steps to cast your vote:
1. Returning voters www.aboriginalpeopleschoice.com
(get your original email and password, sign in and vote…)
2. New Voters! ( a.) Click on
'Sign Up' if you are new to voting ( b.) You will receive a PIN # and Password in
the email account inbox that you entered in the signup form (c.) Go back to www.aboriginalpeopleschoice.com
and click on 'Log In' and type in your PIN and Password and then you're good to
vote. Note: check junk mail if you don’t receive email.
To find out more about Shy-Anne Horvoka- please visit her website at http://shy-anne.com and to obtain a copy of "Interwoven Roots" please go to the website http://www.cdbaby.com
Tuesday, August 7, 2012
Poem- Until We Meet Again
By: Christine McFarlane
My heart
beats faster
when I think of you
I think of your smile
and how it made me
feel alive
and want to
smile too
I remember your laugh
and how we laughed
together
The moments
we had
that only the two of us
could understand
There are memories
I can never erase
I wish
you were here
On this earthly plane
but you're long gone
Its been eight years
that's hard to believe
but you're never far
from my mind
or thoughts
You
are forever
etched
into my heart
and memory
Until
we meet again
A Short Story-Its Good To Dream
It’s Good to Dream:
By: Christine McFarlane
I’m bored. I’m sitting at
my desk, staring at the word document I have opened before me. I’ve been here
for an hour and the words are not forming like I would like them to. Except for
the occasional hum from my refrigerator, or the creaking sound that comes from
the chair I am sitting in, all is quiet.
To break the silence, I
decide its time for some music. Leaning over, and my eyes squinting, my fingers
tap the music icon on my laptop screen. My library opens and my eyes swiftly go
down the list I have compiled over the years. I wonder what type of music I
should listen to. My music tastes are eclectic-sappy love songs, like Air
Supply’s “All Out of Love,” or Patty
Smyth’s “Sometimes Love is Not Enough,”
to songs like “I Am I” by
Queensryche, to “The Unforgiven” by
Metallica, and then back to ABBA songs like “I
Have A Dream,” “Supertrouper,”
and “Dancing Queen.”
The music I play depends
on the mood I am in; today I don’t know what I feel like. My finger hits the
play button. I forget that the last time I was checking out songs on my
computer, that I had cranked up the volume. I’m almost blown out of my chair
when the song by Queen blasts out of the cheap speakers attached to my laptop.
“We are the champions, no time for losers because we
are the champions”
I pretend that I have a
microphone in hand and kick back my chair and jump up to sing to the crowd. I
get right into the beat of the music, swinging my arms, shaking my head, as I
lip sync
“We are the champions, no time for losers because we
are the champions”
My reverie is broken by
the shrill ring of my phone
Ring…..Ring…Ring…
“Hello?” I yell into my
cell phone.
Mumbled words come
through my phone.
“Pardon me?” I yell
It’s my landlord. Oh
crap! Forgetting that his store is right above me, I hear him say
“Please turn down your
music! Your neighbors are complaining!”
“Yes sir” I yell back.
My dream of being a rock
singer is shattered, as I am brought back to the reality that I’m just a writer
diverting from the task at hand. Writing an article that is due in two hours.
Ah, its good to dream
though.
Thursday, August 2, 2012
Wednesday, August 1, 2012
Review of "Aboriginal People, Resilience and the Residential School Legacy"
Review of “Aboriginal
People, Resilience and the Residential School Legacy”
By: Christine
McFarlane
The book “Aboriginal
People, Resilience and the Residential School Legacy” is a part of the
research series books that were a part of the Aboriginal Healing Foundation. As
stated in a previous post, the government of Canada established
the Aboriginal Healing Foundation (AHF) in March 1998 to address the Legacy of
Physical and Sexual Abuse suffered by Aboriginal peoples in residential
schools.
This book in particular was prepared in 2003 and written by
Madeleine Dion Stout and Gregory Kipling. Within this report “ a critical
analysis of the resilience literature is undertaken and is considered against
the cultures, lived experiences and larger social contexts of Aboriginal
survivors of residential school” (iii)[1]
It is stated “resilience, along with its practical
applications has been studied and debated since the 1970s,” and that “the concept is most often defined as
the capacity to spring back from adversity and have a good life outcome despite
emotional, mental or physical distress.”(iii) [2]
The authors argue that when it comes to understanding
resilience, “risk factors, such as poverty or parental alcoholism, increase the
probability of a negative outcome. Risk can reside in the individual, family or
wider environment, with vulnerability to a negative outcome increasing
exponentially with each additional risk factor. This process is known as “risk
pile up” (iii)[3]
They also make mention of protective factors, such as (above
average intelligence or nurturing parents) that help to counteract risk and
decrease individual vulnerability to adverse conditions, and that although
“children who experience wide ranging protective factors generally have good
life prospects as adults, positive coping strategies are difficult to sustain
against major or on-going trauma.” (iii)
Dion Stout and Kipling state that culture and resilience
intersect and help shape traditions, beliefs and human relationships and they
outline how traditional Aboriginal societies have placed great emphasis on
fostering resilience for children and youth, but that it was an oppressive
colonial experience that often cut off Aboriginal parents from such cultural
moorings.
Further outlined in this text is how resilience played a
role with the residential school experience. They state, “Status Indian, Metis
and Inuit children had varied residential school experiences, both in intensity
and duration, and that survivors have all had to contend with risk factors
related to the residential school experience."
The “Aboriginal
People, Resilience and the Residential School Legacy” text can be a difficult
read because it outlines some of the behaviors that survivors had to adopt in
order to survive their experiences and how these behaviors have spilled over to
their descendants. These issues pertain to identity, culture and parenting and
have created conflicts and unresolved anger for survivors and their descendants. It also shows that despite these challenges, the resiliency nature still appears
in these individuals.
The text states that “understanding resilience can serve as a
basis upon which to plan interventions to foster greater resilience among
Aboriginal residential school Survivors,” and therefore the purpose of this particular report is to undertake a critical analysis of the resilience literature and
assess how its concepts and insights might be used to foster healing among
Aboriginal people affected by the Legacy of the Physical and Sexual Abuse
arising from the residential school system.
The role of the Aboriginal Healing Foundation (AHF) was to undertake research that contributed to effective program design/redesign, implementation and evaluation of healing projects. Therefore given the growing importance attached to resilience within health policy literature the AHF commissioned this study on resilience so that the basic lay person can understand the relevance of resilience for Aboriginal individuals, families and communities dealing with the Residential School Legacy.
The role of the Aboriginal Healing Foundation (AHF) was to undertake research that contributed to effective program design/redesign, implementation and evaluation of healing projects. Therefore given the growing importance attached to resilience within health policy literature the AHF commissioned this study on resilience so that the basic lay person can understand the relevance of resilience for Aboriginal individuals, families and communities dealing with the Residential School Legacy.
Specific objectives within the study include:
·
Review key concepts and theories within the
resilience literature in the context of Aboriginal people’s cultures and
experiences;
·
Assess, with particular reference to resilience,
the impact of the residential school system on Survivors and their families;
·
Identify means by which resilience enhancement
interventions might be integrated into existing approaches to residential
school healing; and
·
Formulate recommendations to serve the basis for
future AHF interventions in the area of resilience enhancement.
The AHF states that every effort has been made to ensure
that the lives of all Aboriginal peoples are reflected in this report, and that
because First Nations have received more attention in the residential school
literature than other groups, a special effort was made to also locate accounts
describing the experiences of Inuit and Metis survivors.
Lastly, they state that “one must acknowledge the absence in
mainstream discourse of the ways in which Aboriginal children and youth have
kept well and safe despite the tremendous odds imposed by the residential
school experience,” [4] and “several
reasons account for this oversight, including the tendency to ignore or
pathologize Aboriginal children and youth’s agency, while discounting their
natural inclination to pursue best health and life long healing strategies. In
other words, experts have failed to see, understand or interpret health and
healing experiences from the perspective of Aboriginal children and youth
themselves.
The “Aboriginal People, Resilience and the Residential
School Legacy” book was published by the Aboriginal Healing Foundation (AHF) in
2003. For more information please visit the AHF website at www.ahf.ca
[1] Aboriginal
People, Resilience and the Residential School Legacy. The Aboriginal Healing
Foundation Research Series. Dion Stout, Madeleine and Kipling Gregory. 2003
[2] Aboriginal
People, Resilience and the Residential School Legacy. The Aboriginal Healing
Foundation Research Series. Dion Stout, Madeleine and Kipling Gregory. 2003
[3] Aboriginal
People, Resilience and the Residential School Legacy. The Aboriginal Healing
Foundation Research Series. Dion Stout, Madeleine and Kipling Gregory. 2003
[4] Aboriginal
People, Resilience and the Residential School Legacy. Dion Stout, Madeleine and
Kipling Gregory. 3
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